Threads of Moirai: 13-23 March Castlemaine State Festival 2015

Since moving to Castlemaine I've come together with a bunch of talented local textile artists and started a textile collective, check out the Cobolt Textile Collective here. Our first group exhibition has just opened as part of the Castlemaine State Festival 2015. If you happen to be in the area, come to our opening party on the 17th March, invite below. 

For the exhibition I've been enjoying experimenting with finer-than-thread metallic yarns, degumming and spinning wild silk cocoons and getting Victorian silk spindles made for me as part of my piece. It's always amazing how much you learn from devising and executing any art project. This steep learning curve is the thrill of making art.

In response to our theme on the Greek Myth about the Three Fates: Namely Clotho, spinner of the thread of life, Lachesis the one who allots the length of that thread, and Atropos who severs the thread; I started to knit cocoons. I was inspired by the Urodid Moth Cocoon which is an amazing piece of natural architecture found in the Amazon - see it here.  My knitted cocoons attempt to take the form of this beautiful cocoon. They are knit on tiny double pointed needles in stainless steel and silk/wool yarns and linen/copper yarns. These fibres have a memory so that they will hold a 3D form, they are super fine and presented a few challenges in the knitting. 

This little one is knit in a superfine copper filament. It's almost invisible in some lighting. 

Enclosed within my knitted cocoons is the real spent cocoon of the Cricula Silk Moth, a wild silk moth cocoon from Indonesia. 

I eventually managed to de-gum these cocoons in order to spin them into silk which was quite a tricky process, not much information available online on degumming wild silk cocoons but I had success with a little tiny bit of caustic soda and washing soda in water.  I had a local Master turner make me these wonderful Victorian Silk Spindles which were a pleasure to whirl on. 

The cocoons hang from a flat handstitched circle of pressed Cricula silk cocoons.

Here I am ironing and stitching these together over the course of a day. The golden cocoons are a wonder to work with and the spun fibres shimmer with natural golden threads.

And if you're wondering how they take their shape after coming off the knitting needles, there's a little final magic with a balloon which is quite fun to do.

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The show is on until the 23rd of March. Shed 5. Castlemaine Woollen Mills, 1 Walker Street, Castlemaine.

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Check out the wonderful work of my fellow textilers in the

Cobolt Textile Collective at www.co-bolt-textiles.com

Woven blankets and blanket stitches

A friend collects old woven woollen blankets and makes hot water bottle covers from them. I was lucky enough to receive a bag of the scraps. I'm often too precious with bigger pieces of textiles that I collect and find it difficult to settle on a worthy project for them. So I love finding little scraps because you can be sure whatever you do with them it's going to be more worthwhile than sending them to the tip!

The blanket scraps were just big enough to make into a skulk of foxes. There is something very foxy about plaid, maybe it's the story book illustrations of foxes dressed in tweed. Anyway I think these guys look pretty dashing...

The blanket stitched edging around these blankets is just too special to discard and thankfully my friend had not been able to bring herself to throw them away.  Rolling the edging into little scrolls makes gorgeous coloured rounds that I have been stitching together into interesting brooches. 

Christmas is just around the corner now and I have my work cut out if I'm to complete all the projects I've started in time. For a maker Christmas always brings with it a sense of urgency and pressure as if the world stops buying handmade for another year. But like this little scroll below the world still goes around and around, as does the desire to continue to make and mend.

Wet Felting a Bent Wood Chair

I'm working on a little experiment at the moment, covering found furniture with wool. On top of a smooth wet felted surface I then plan to add texture with knitting, needlefelt and other needlework techniques. To begin with I have removed the wooden seat round and entirely wrapped the chair with wool rug selvedge yarn. The seat is surprisingly comfortable and stable with just a figure of eight wrapping around the seat circumference.

The chair looks surprising good as it is but I would like to create a very durable and smooth felted surface that I can then embellish with other textures. The seat pad I plan to work separately with wet and dry felting and then attach to the seat and felt it in. 

So far I've started by wrapping the covered chair in fibre that I have prefelt with dry felting and wound wool around it to keep it in place and then started the wet soaping felting process. I'm just experimenting at the moment to see what problems might come up. So far it has been difficult keeping the fibres from separating when shrinking and the prefelt has been helping with that. 

After the chair, I intend to felt a small coffee table that I found and a very sweet little foot stool with worn patches of tapestry that I intend to "restore" with needlefelting. Stay tuned. Any tips or suggestions welcome! 

A spot of dyeing

I confess, it's been a while since my last post. So much creating has happened, no less a little baby boy called Emrys being one of the most delightful of them. It's been a busy time with no time for blog posts, but this is something I hope to correct in 2013. Is it too early for resolutions. Christmas hasn't even passed yet.

Anyway, before the baby wakes here is a spot of dyeing that I did recently on a silk shirt that I chanced upon at the Melbourne Suitcase Rummage. I finally got those Silver Dollar Eucalyptus leaves to pay out their red orange tones and I love the result.

It's amazing what a few leaves, a handful of rusty nails, some string and a little water can do. I've run into two of my fellow Beautiful Silks India Flint workshop companions in the past month in Melbourne and on both occasions we have all by chance been wearing eco-dyed silk garments. Thank you India for your inspiration.

Monthly carboot loot

I'm really pleased with this months carboot haul. Every month we go to the Chiswick carboot sale and I hunt down fabric off-cuts, tablecloths, linen and anything I can repurpose into my wares. I already blogged about my super special hemp grain sack, here are the other bits and pieces. Some have already become little toddler pantaloons and smocked hats.

I love the label on this piece of gingham from Chung Nam Weaving Factory in Hong Kong. I wonder how old it is? It's already half stitched into one of my smocked summer hats.

Darned hemp grain sack

Last weekend was our monthly carboot hunt in Chiswick, and I found this beautiful antique hemp grain sack for a steal. It's French and has been darned and mended so many times that it is starting to resemble a patchwork or the the Japanese boro textiles that I drool over at Sri Threads. It's pieces like these that you just want to frame, it is so exquisite. 

By the way, I have been loving listening to these incredible postcasts by Maiwa called Voices on Cloth. I'm day dreaming whilst sewing up a storm for my market stall in the school yard at Broadway Market tomorrow.

Merlin's technicolour dream quilt

I've been meaning to blog about this quilt project for a while now. When I was expecting my first baby (Merlin now aged 2), my Mum had the idea to create a patchwork quilt made up of squares created by all the wonderfully creative women in our family and friends close to us. It was completed for Merlin's 1st birthday Dec 2010. 

The result is this magical technicolour dream quilt with a whole lot of history. There are pieces of retro 70s curtains from my baby room, embroidery from the baby bib of Merlin's grandmother, Merlin's father's embroidered school badge from his uniform showing the ashford river where he grew up. There is a crochet granny square by Merlin's great grandma, stunningly detailed embroideries by Merlin's great aunt in France, wonderful silk applique by some friends living in cambodia at the time which depict little scenes with fond memories of our friendship.  There is even Merlin's knitted umbilical cord tie made of bamboo yarn that I made to avoid the standard issue plastic one (complete with mummified belly button!). I know, I know... slightly weird but nevertheless all part of Merlin's birth story. 

click on image to view detail

The quilt project had its own facebook group where the most active members, my mother and auntie Corrie uploaded pictures of their squares as they went. There were squares from England, Cambodia, Australia and France. It was so touching to have so many dear friends and family add to the story of the quilt. It gives us as a family many visual cues about those dear to us, especially considering Merlin will always be on the otherside of the world to one half of his extended family. It's a story quilt. When he gets his own bed, this quilt alone will provide enough bedtime stories for an entire childhood.

To those of you who contributed, thank you for the love and creativity you bestowed these small squares of fabric that together will keep Merlin warm and entertained for years to come. It's truly an heirloom and we will treasure it always. Sorry it has taken me so long to actually show you photos of the finished piece!

Mum sewed all the squares together with the seams on the right side. With the squares all being quite different in size many of them would have lost quite a lot of their edges. The effect is that each square is kind of framed by its selvedge.

Contributors and relationship to Merlin

Bev (grandmother)

Pat (grandmother)

Corrie (great aunt)

Marilyn (great aunt)

Faye (great aunt)

Elaine (great grandmother)

Josephine (late great grandmother)

Penny & Ellie (aunt and cousin)

Heidi (aunt)

Brenna (mother)

Dominic (father)

Kirsten (friend)

Andrew (friend)

Daisy (friend)

Nami (friend)

Janet (friend)

Mags (friend)

some individual square that were photographed before the quilt was put together, click to see detail

Dyes from plants

We've just returned from a bit of a research holiday around Herefordshire and Wales so it has been a long time since I posted on this blog. I'm slowly trawling through the mountains of blog fodder I gathered on this trip which included visits to many a woollen mill, a knitting design weekend and tours of various eco communities.

To start off I just wanted to post a couple of beautiful pictures of an incredibly inspiring spectrum of naturally dyed wool skeins.

We visited the National Wool Museum in Wales where these lovely little specimens were on show. They were created by the Wallis Woollen Mill, Dyfed, Wales which closed in 2002.

The plaque reads "These colours were extracted from nine different plants with the exception of the bright reds, pinks and burgundies which were obtained from the cochineal beetle. Natural dyes were in use until the middle of the nineteenth century, when synthetic dyes based on coal tar were discovered. Synthetic dyes are cheaper to use and it is easier to repeat colours more exactly but they lack the subtle harmony and gentle ageing properties of natural dyes. Recipes used in this mill in the nineteenth century are still in existence today. "

More from this fascinating museum later...

Regret

I'm still mourning not purchasing these beautiful antique silk threads that I discovered at an emporium of delights in the surprisingly fascinating Hastings old town.

On a stroll through the town at night I discovered these threads shimmering in the dark shop window. The shop keeper had cleverly hidden the price so we had to make a special trip the next day just to find out that they were disappointingly out of my price range, if such a thing could be said of such a priceless object! But try convincing a man of this! Yes, they are over £50 but they are also under £70! And I've just done the maths and worked out that they are less than 2 pounds per silk bobbin. What have I done?!

These threads in the most pleasing arrangement of colours come in a beautiful customised bee hive frame, you know, the frame the bees construct their honey comb on. The original owner has made an ingenious thread dispensing device out of an old bee frame. Oh how I would love to embroider with these threads...